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I have been performing onstage since I was five. I began in musical reviews and music hall(it's true!), extended into other theatre styles through my training and the beginnings of my professional career, and now concentrate on experimental theatre, interdisciplinary work, and intercultural performance practice. I lived and worked in Tokyo, Japan for years, and specialize in the study and performance of noh and nihon buyoh, the creation of performances using these forms and aesthetics, and in directing contemporary Asian scripts.